Juliet’s episode four ‘Yvonne” is on BBC 4 and is co-produced by BBC Arts, The Young Vic and Sir Lenny Henry’s Douglas Road Productions.
Juliet Gilkes Romero is a Playwright and Journalist. She has reported for the BBC from countries including Ethiopia, Haiti and the Dominican Republic.
Her most recent work is for the TV series SOON GONE: A WINDRUSH CHRONICLE (BBC4) co-produced by Sir Lenny Henry’s production company Douglas Road, the Young Vic theatre and BBC Arts.
Juliet’s next stage play THE WHIP will open at the Royal Shakespeare Company on the Swan stage as part of the RSC’s winter season.
She is also under commission at the Stephen Joseph Theatre and also at Eclipse Theatre. Juliet was recently the RSC-Birmingham University Creative Fellow. Juliet is also working on a musical with the composer, Tim Sutton.
Juliet’s agent is Jasmine Daines Pilgrem at the Lisa Richards Agency:
Day of the Living
“Day of the Living threatens to blow minds and break hearts with its gob-smacking blend of Mexican folklore, Day of the Dead imagery, song and dance used to tell the unbearably tragic story of the night 43 students from Ayotzinapa Teachers’ College disappeared in Iguala, Mexico, in 2014”
Stratford Upon Avon Herald
“Its flurry of colour, spirit and celebratory verve at first belies, but gradually reveals, the obscenities of the cartel-related crimes it describes”
“Electrifyingly inventive… radiating anger, defiance and, ultimately, hope. Fiercely effective”
Find out what audiences think about Day of the Living and #WeAreArrested, a double-bill of new plays as part of the Mischief Festival. Playing at The Other Place until 23 June 2018.
“The dialogue is snappy, lucid and forceful throughout…. stirring political theatre”
Plays to See
“Juliet Gilkes Romero’s smart new play about the black Labour movement, is an urgent and necessary work… worth seeing for the shock value alone”
“The real strength of ‘Upper Cut’ is how, in its own subtle way, it suggests that becoming a politician can and should be something anyone can aspire to.”
Shortlisted for the Alfred Fagon Audience Award 2015
At The the Gates of Gaza
“If the play’s underlying message is one of patriotism betrayed by racism, the overriding impression is more of warmth than wrath”
“This remarkable new play delivers with unerring accuracy a short sharp kick in the guts”
Winner Best Play Writers Guild Award, 2009